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PER MARCEL BARRERA

22 de desembre de 2011
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Empar Pont: “L’Ajuntament de Reus no ha respectat el concurs per triar el director de Trapezi”

L’exregidora de Cultura de Reus Empar Pont (ERC) ha acusat avui el nou ajuntament que encapçala l’alcalde Carles Pellicer (CiU) de “no respectar” el concurs per triar el nou director del festival Trapezi i de “no tenir ni fava idea de circ”. “Es pensen que és gent fent tombarelles en un carro”, ha comentat l’exregidora en una tertúlia a Punt 6 Ràdio, una emissora local de la capital del Baix Camp. Pont ha dit sentir “respecte” pel Circ Raluy però al mateix temps ha dit que el model de circ que defensa Louisa Raluy, la nova assessora de l’Ajuntament en la matèria, no té res a veure amb el “circ a l’estil europeu” de Trapezi.

En el següent enllaç (a partir del tall 15:15) es poden escoltar les consideracions de la responsable política de Trapezi durant molts anys. 

http://www.punt6radio.cat/tl_files/podcasts/dbm/221211dbm.mp3

A la imatge, l’exregidora Empar Pont 


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  1. Un espectáculo de circo tradicional se celebra normalmente en un anillo de 13 m (42 pies) de diámetro. Esta dimensión fue adoptada por Philip Astley para permitir que un jinete de pie en posición vertical sobre un caballo galope para llevar a cabo una serie demaniobras acrobáticas y mantener más fácilmente el equilibrio.
  2. Seeking a career in the performing arts, Cirque du Soleil founder Guy Laliberté toured Europe as afolk musician and busker after quitting college. By the time he returned home to Canada in 1979, he had learned the art of fire breathing.
  3. Totes les coses existents són realment un. Considerem que els que són bells i rars comvaluosos, i els que són lletjos com a falta i podrida El brut i podrit pot arribar atransformar-se en el que és rar i valuós, i el rar i valuós en el que és brut i podrit.
  4. Estic totalment d’acord amb Pau, encara que no estic tan experimentat i un expert comell que és un director de gran organització com, però encara puc entendre el seu punt de vista, ja que només mantenint el control de costos en la ment ens pot ajudar en moltsproblemes comuns, però a menys que i fins que buscar inversions que no pot créixermés la col · lecció.
  5. The lower seats were reserved for persons of rank; there were also various state boxes, e.g. for the giver of the games and his friends. In Ancient Rome the circus was the only public spectacle at which men and women were not separated.
  6. Circus schools and instructors have developed a variety of pedagogical classification systems for circus skills. Systems that have attempted to formally organize circus skills into pragmatic teaching groupings include the Gurevich system the basis of the Russian Circus School’s curriculum and the Hovey Burgess system. 
  7. Circus schools and instructors have developed a variety of pedagogical classification systems for circus skills. Systems that have attempted to formally organize circus skills into pragmatic teaching groupings include the Gurevich system and the Hovey Burgess system.
  8. In its modern meaning, one circus is a troop ofartists, traditionally itinerant, which generally comprises acrobats, of the numbers ofraising and of taming animals, clowns, of turns of magic. More generally, the circus is now one alive spectacle popular organized around one scene circular which owes him its name. Its characteristics had many evolutions until our days.
  9. Carnival is the most famous holiday in Brazil and has become an event of huge proportions. Except the industries, malls and the carnival related workers, the country stops completely for almost a week and festivities are intense, day and night, mainly in coastal cities.
  10. The Circus is close to major shopping and entertainment areas in the West End. Its status as a major traffic intersection has made Piccadilly Circus a busy meeting place and a tourist attraction in its own right. 
  11. A variety of animals have historically been used in acts. While the types of animals used vary from circus to circus, big cats, elephants, horses, birds, sea lions, bears and domestic animals are the most common.
  12. The earliest involvement of animals in circus was just the display of exotic creatures. Going as far back as the early eighteenth century, exotic animals were transported to North America for display, and menageries were a popular form of entertainment.
  13. You’d think riding an elephant would be the coolest thing, but maybe it was like cotton candy, and I was just supposed to like it but just didn’t care for it much. And at what expense was the experience? The elephant couldn’t possibly want to do it, but maybe it wasn’t so bad, at least for the people who got a real joy out of it.
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